Comparative Literature (COLT) |
313 Villard, 541-346-0934
College of Arts & Sciences
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Academic Deadlines
Deadline |
Last day to: |
September 25: |
Process a complete drop (100% refund, no W recorded) |
October 1: |
Drop this course (100% refund, no W recorded; after this date, W's are recorded) |
October 1: |
Process a complete drop (90% refund, no W recorded; after this date, W's are recorded) |
October 2: |
Process a complete withdrawal (90% refund, W recorded) |
October 2: |
Withdraw from this course (100% refund, W recorded) |
October 3: |
Add this course |
October 3: |
Last day to change to or from audit |
October 9: |
Process a complete withdrawal (75% refund, W recorded) |
October 9: |
Withdraw from this course (75% refund, W recorded) |
October 16: |
Process a complete withdrawal (50% refund, W recorded) |
October 16: |
Withdraw from this course (50% refund, W recorded) |
October 23: |
Process a complete withdrawal (25% refund, W recorded) |
October 23: |
Withdraw from this course (25% refund, W recorded) |
November 13: |
Withdraw from this course (0% refund, W recorded) |
November 13: |
Change grading option for this course |
| You can't drop your last class using the "Add/Drop" menu in DuckWeb. Go to the “Completely Withdraw from Term/University” link to begin the complete withdrawal process. If you need assistance with a complete drop or a complete withdrawal, please contact the Office of Academic Advising, 101 Oregon Hall, 541-346-3211 (8 a.m. to 5 p.m., Monday through Friday). If you are attempting to completely withdraw after business hours, and have difficulty, please contact the Office of Academic Advising the next business day. |
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Expanded Course Description
It has often been remarked upon that comics’ form resembles that of diaries, their reproduced handmade pages expressing what the artist saw and felt through their drawing and writing. In recent years, many have come to associate the comics form as particularly or even uniquely well-suited to autobiography, comics’ hybrid writing and drawing modes offering nuanced or uncertain accounts that also speak of their own creative process. In “Autobio-graphic Form,” students will read and discuss 20th and 21st-century comics, manga, and bande dessinée. Contextualized by reading on comics form, authorship, and nonfiction, we will discuss authors’ techniques representing family history, queer identity, quotidian life, trauma, immigrant and minority experiences, disability, and dreams. Students will not only interpret others’ autobiographical works but also, over the course of the term, develop their own autobiographical comics (no training expected). |
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