Comparative Literature (COLT) |
118 PLC, 541-346-3911
College of Arts & Sciences
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8 - No cost for class textbook materials.
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Academic Deadlines
| Deadline |
Last day to: |
| March 31: |
Process a complete drop (100% refund, no W recorded) |
| April 6: |
Drop this course (100% refund, no W recorded; after this date, W's are recorded) |
| April 6: |
Process a complete drop (90% refund, no W recorded; after this date, W's are recorded) |
| April 7: |
Process a complete withdrawal (90% refund, W recorded) |
| April 7: |
Withdraw from this course (100% refund, W recorded) |
| April 8: |
Add this course |
| April 8: |
Last day to change to or from audit |
| April 14: |
Process a complete withdrawal (75% refund, W recorded) |
| April 14: |
Withdraw from this course (75% refund, W recorded) |
| April 21: |
Process a complete withdrawal (50% refund, W recorded) |
| April 21: |
Withdraw from this course (50% refund, W recorded) |
| April 28: |
Process a complete withdrawal (25% refund, W recorded) |
| April 28: |
Withdraw from this course (25% refund, W recorded) |
| May 19: |
Withdraw from this course (0% refund, W recorded) |
| May 19: |
Change grading option for this course |
 | You can't drop your last class using the "Add/Drop" menu in DuckWeb. Go to the “Completely Withdraw from Term/University” link to begin the complete withdrawal process. If you need assistance with a complete drop or a complete withdrawal, please contact the Office of Academic Advising, 101 Oregon Hall, 541-346-3211 (8 a.m. to 5 p.m., Monday through Friday). If you are attempting to completely withdraw after business hours, and have difficulty, please contact the Office of Academic Advising the next business day. |
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Expanded Course Description
| This seminar looks at del Toro's entire body of work and the unique contributions he has made to world horror cinema and “cínema fantastique.” Special attention will be given to the formal aspects of his filmmaking, its genre hybridity, and its intermedial connections with other works of art and literature.
The success of The Shape of Water (2017), which received four Academy Awards (including Best Director and Best Picture), propelled horror maestro Guillermo del Toro into the spotlight with his unorthodox cinematic love letter to monsters of all stripes (transgressive monsters, sympathetic monsters, victimized monsters). The director of such films as Pan’s Labyrinth, Hellboy, Devil’s Backbone, and Crimson Peak, del Toro has asserted that horror is inherently political: “Much like fairy tales, there are two facets of horror,” claims del Toro, “One is pro-institution, which is the most reprehensible type of fairy tale. Don’t wander into the woods, and always obey your parents. The other type of fairy tale is completely anarchic and antiestablishment.” Del Toro's horror-inflected fairy tales situate monsters as "living, breathing metaphors" for larger social issues. This seminar looks at del Toro's entire body of work and the unique contributions he has made to world horror cinema and “cínema fantastique.” Special attention will be given to the formal aspects of his filmmaking, its genre hybridity, and its intermedial connections with other works of art and literature.
Works discussed include: Crimson Peak (2015), Cronos (1993), The Devil's Backbone (2001), Hellboy (2004), Hellboy II: The Golden Army (2008), Mimic (1997), Pacific Rim (2013), Pan's Labyrinth (2006), The Shape of Water (2017), and The Strain (2014-2017).
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