Comparative Literature (COLT) |
118 PLC, 541-346-3911
College of Arts & Sciences
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8 - No cost for class textbook materials.
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Course Data
COLT 380 Top Doppelgänger Film |
4.00 cr. |
Critical analysis of a range of media from a transnational and/or intercultural perspective. Taught as a hybrid course blending face-to-face and online learning. Recent topics include Tokyo Cyberpunk, Asian Horror, Listening to Cinema. Repeatable thrice for a maximum of 16 credits. |
Grading Options: |
Optional; see degree guide or catalog for degree requirements
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Instructor: |
Brown S |
Office:
354 PLC
Phone:
(541) 346-4016
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Course Fees: |
$25.00 per credit |
Web-related Resources: |
Course Description
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Course Materials |
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CRN |
Avail |
Max |
Time |
Day |
Location |
Instructor |
Notes |
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31213 |
1 |
45 |
- |
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ASYNC WEB |
Brown S |
$8 |
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Academic Deadlines
Deadline |
Last day to: |
March 31: |
Process a complete drop (100% refund, no W recorded) |
April 6: |
Drop this course (100% refund, no W recorded; after this date, W's are recorded) |
April 6: |
Process a complete drop (90% refund, no W recorded; after this date, W's are recorded) |
April 7: |
Process a complete withdrawal (90% refund, W recorded) |
April 7: |
Withdraw from this course (100% refund, W recorded) |
April 8: |
Add this course |
April 8: |
Last day to change to or from audit |
April 14: |
Process a complete withdrawal (75% refund, W recorded) |
April 14: |
Withdraw from this course (75% refund, W recorded) |
April 21: |
Process a complete withdrawal (50% refund, W recorded) |
April 21: |
Withdraw from this course (50% refund, W recorded) |
April 28: |
Process a complete withdrawal (25% refund, W recorded) |
April 28: |
Withdraw from this course (25% refund, W recorded) |
May 19: |
Withdraw from this course (0% refund, W recorded) |
May 19: |
Change grading option for this course |
| You can't drop your last class using the "Add/Drop" menu in DuckWeb. Go to the “Completely Withdraw from Term/University” link to begin the complete withdrawal process. If you need assistance with a complete drop or a complete withdrawal, please contact the Office of Academic Advising, 101 Oregon Hall, 541-346-3211 (8 a.m. to 5 p.m., Monday through Friday). If you are attempting to completely withdraw after business hours, and have difficulty, please contact the Office of Academic Advising the next business day. |
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Expanded Course Description
As media theorist Friedrich Kittler and others have noted, cinema from its very inception has been haunted by doubles through the celluloid and digital "ghosts" of the actors’ bodies. Considered both in terms of its intermediality with literary evocations of the uncanny and with respect to the ghostly effects of the cinematic apparatus itself, this seminar will examine the figure of the doppelgänger and its variations (twins, clones, split personalities).
“Film is in its essence a world of doubles.”--Nicholas Royle
As media theorist Friedrich Kittler and others have noted, cinema from its very inception has been haunted by doubles through the celluloid and digital "ghosts" of the actors’ bodies. Considered both in terms of its intermediality with literary evocations of the uncanny and with respect to the ghostly effects of the cinematic apparatus itself, this seminar will examine the figure of the doppelgänger and its variations (twins, clones, split personalities) in films such as Bilocation (2013), Black Swan (2010), The Dark Half (1993), Dead Ringers (1988), Doppelgänger (2003), The Double (2013), Enemy (2013), The Prestige (2006), and Us (2019).
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